In October 2020, Bobbi Cameron presented NINE, a 6-channel sound installation developed from her long-form research project; a queer phenomenological (cite Sara Ahmed) approach to time travel. Projecting feelings of loss, unexplored realities and altered perceptions across a vast sonic soundscape, the installation examines the ways in which we navigate the world, and questions how new landscapes may be explored. NINE explores how artistic interventions can impact on the communal disorientation experienced with spiritual beings.Sharing conversations with psychics and mediums, the artist examines the feelings of connecting with spirits, and how these connections can disrupt our sense of space, place and architecture. NINE was made in isolation by Bobbi Cameron during the covid-19 pandemic, it was presented to one audience member at a time over a two month period at CT20, Folkestone, England. The work explores how we inhabit our daily space(s) with ghosts, memories and invisible beings. To experience this work now is to be in a space of collective isolation with which it was made, and viewed.